It is often said that the Hindu pantheon has three gods at its head: Brahma, the creator of the universe; Vishnu, the preserver of life; and Shiva, the destroyer of ignorance. Brahma is a representation of the impersonal brahman in a human form, usually with four faces facing the cardinal directions and four arms (see Karma and Liberation, this ch.). In reality, Brahma receives little devotion from worshipers, who may mention him in passing while giving their attention to the other main gods. There are few temples in India dedicated to him; instead, his image may stand in niches on the walls of temples built for other deities. Religious stories usually place Brahma as an intermediate authority who cannot handle a problem and passes it on to either Vishnu or Shiva. The concept of the trinity (trimurti ), expressed in beautiful art works or invoked even by believers, is in practice a philosophical construct that unites all deistic traditions within Hinduism into one overarching symbol.
Shiva Lingam : Shiva Lingams originate at the Narmada River in Onkar Mandhata, one of India's seven holy sites. Vilaagers gather this unique Crypto-Crystalline quartz from shallow river beds and hand-polish them to balanced proportions. The word Lingam describes this unique shape. This oval-shaped fertility stone is often worshipped by Hindus as the embodiment of Lord Shiva. For more on Shiva Linghams visit :
Thursday, October 06, 2005
Lord Vishnu
As one of the most important gods in the Hindu pantheon, Vishnu is surrounded by a number of extremely popular and well-known stories and is the focus of a number of sects devoted entirely to his worship. Vishnu contains a number of personalities, often represented as ten major descents (avatars) in which the god has taken on physical forms in order to save earthly creatures from destruction. In one story, the earth was drowning in a huge flood, so to save it Vishnu took on the body of a giant turtle and lifted the earth on his back out of the waters. A tale found in the Vedas describes a demon who could not be conquered. Responding to the pleas of the gods, Vishnu appeared before the demon as a dwarf. The demon, in a classic instance of pride, underestimated this dwarf and granted him as much of the world as he could tread in three steps. Vishnu then assumed his universal form and in three strides spanned the entire universe and beyond, crushing the demon in the process.
The incarnation of Vishnu known to almost everyone in India is his life as Ram (Rama in Sanskrit), a prince from the ancient north Indian kingdom of Ayodhya, in the cycle of stories known as the Ramayana (The Travels of Ram). On one level, this is a classic adventure story, as Ram is exiled from the kingdom and has to wander in the forests of southern India with his beautiful wife Sita and his loyal younger brother Lakshman. After many adventures, during which Ram befriends the king of the monkey kingdom and joins forces with the great monkey hero Hanuman, the demon king Ravana kidnaps Sita and takes her to his fortress on the island of Lanka (modern Sri Lanka). A huge war then ensues, as Ram with his animal allies attacks the demons, destroys them all, and returns in triumph to North India to occupy his lawful throne. Village storytellers, street theater players, the movies, and the national television network all have their versions of this story. In many parts of the country, but especially in North India, the annual festival of Dussehra celebrates Ram's adventures and his final triumph and includes the public burning of huge effigies of Ravana at the end of several days of parties. Everyone knows that Ram is really Vishnu, who came down to rid the earth of the demons and set up an ideal kingdom of righteousness--Ram Raj--which stands as an ideal in contemporary India. Sita is in reality his consort, the goddess Lakshmi, the ideal of feminine beauty and devotion to her husband. Lakshmi, also known as Shri, eventually became the goddess of fortune, surplus, and happiness. Hanuman, as the faithful sidekick with great physical and magical powers, is one of the most beloved images in the Hindu pantheon with temples of his own throughout the country.
Another widely known incarnation is Krishna. In the Mahabharata (Great Battle of the Descendants of Bharata), the gigantic, multivolume epic of ancient North Indian kingdoms, Krishna appears as the ruler of one of the many states allied either with the heroic Pandava brothers or with their treacherous cousins, the Kauravas. Bharata was an ancient king whose achievements are celebrated in the Mahabharata and from whose name derives one of the names for modern India, that is Bharat. During the final battle, Krishna serves as charioteer for the hero Arjuna, and before the fighting starts he bolsters Arjuna's faltering will to fight against his kin. Krishna reveals himself as Vishnu, the supreme godhead, who has set up the entire conflict to cleanse the earth of evildoers according to his inscrutable will. This section of the epic, the Bhagavad Gita , or Song of the Lord, is one of the great jewels of world religious literature and of central importance in modern Hinduism. One of its main themes is karma-yoga , or selfless discipline in offering all of one's allotted tasks in life as a devotion to God and without attachment to consequences. The true reality is the soul that neither slays nor is slain and that can rejoin God through selfless dedication and through Krishna's saving grace.
A completely different cycle of stories portrays Krishna as a young cowherd, growing up in the country after he was saved from an evil uncle who coveted his kingdom. In this incarnation, Krishna often appears as a happy, roly-poly infant, well known for his pranks and thefts of butter. Although his enemies send evil agents to destroy him, the baby miraculously survives their attacks and kills his demonic assailants. Later, as he grows into an adolescent, he continues to perform miracles such as saving the cowherds and their flocks from a dangerous storm by holding up a mountain over their heads until the weather clears. His most striking exploits, however, are his affairs as a young adult with the gopis (cowherding maidens), all of whom are in love with him because of his good looks and talent with the flute.
These explicitly sexual activities, including stealing the clothes of the maidens while they are bathing, are the basis for a wide range of poetry and songs to Krishna as a lover; the devotee of the god takes on a female role and directs toward the beloved lord the heartfelt longing for union with the divine. Krishna's relationship with Radha, his favorite among the gopis , has served as a model for male and female love in a variety of art forms, and since the sixteenth century appears prominently as a motif in North Indian paintings. Unlike many other deities, who are depicted as very fair in color, Krishna appears in all these adventures as a dark lord, either black or blue in color. In this sense, he is a figure who constantly overturns accepted conventions of order, hierarchy, and propriety, and introduces a playful and mischievous aspect of a god who hides from his worshipers but saves them in the end. The festival of Holi at the spring equinox, in which people of all backgrounds play in the streets and squirt each other with colored water, is associated with Krishna.
In iconography Vishnu may appear as any of his ten incarnations but often stands in sculpture as a princely male with four arms that bear a club, discus, conch, and lotus flower. He may also appear lying on his back on the thousand-headed king of the serpents, Shesha-Naga, in the milk ocean at the center of time, with his feet massaged by Lakshmi, and with a lotus growing from his navel giving birth to the god Brahma, a four-headed representation of the creative principle. Vishnu in this representation is the ultimate source of the universe that he causes to expand and contract at regular cosmic intervals measuring millions of years. On a more concrete level, Vishnu may become incarnate at any moment on earth in order to continue to bring sentient creatures back to himself, and a number of great religious teachers (including, for example, Chaitanya in Bengal) are identified by their followers as incarnations of Vishnu.
Lord Vishnu
Shiva, Shiva Lingham
The God Shiva or Lord Shiva is the other great figure in the modern pantheon. In contrast to the regal attributes of Vishnu, Shiva is a figure of renunciation. A favorite image portrays him as an ascetic, performing meditation alone in the fastness of the Himalayas. There he sits on a tiger skin, clad only in a loincloth, covered with sacred ash that gives his skin a gray color. His trident is stuck into the ground next to him. Around his neck is a snake. From his matted hair, tied in a topknot, the river Ganga (Ganges) descends to the earth. His neck is blue, a reminder of the time he drank the poison that emerged while gods and demons competed to churn the milk ocean. Shiva often appears in this image as an antisocial being, who once burned up Kama, the god of love, with a glance. But behind this image is the cosmic lord who, through the very power of his meditating consciousness, expands the entire universe and all beings in it. Although he appears to be hard to attain, in reality Shiva is a loving deity who saves those devotees who are wholeheartedly dedicated to him.
The bhakti literature of South India, where Shiva has long been important, describes the numerous instances of pure-hearted devotion to the beautiful lord and the final revelation of himself as Shiva after testing his devotees. Shiva often appears on earth in disguise, perhaps as a wandering Brahman priest, to challenge the charity or belief of a suffering servant, only to appear eventually in his true nature. Many of these divine plays are connected directly with specific people and specific sites, and almost every ancient Shiva temple can claim a famous poem or a famous miracle in its history. The hundreds of medieval temples in Tamil Nadu, almost all dedicated to Shiva, contain sculptured panels depicting the god in a variety of guises: Bhikshatana, the begging lord; Bhairava, a horrible, destructive image; or Nataraja, the lord of the dance, beating a drum that keeps time while he manifests the universe.
Because he withholds his sexual urges and controls them, Shiva is able to transmute sexual energy into creative power, by generating intense heat. It is, in fact, the heat generated from discipline and austerity (tapas ) that is seen as the source for the generative power of all renunciants, and in this sense Shiva is often connected with wandering orders of monks in modern India. For the average worshiper, the sexual power of Shiva is seen in the most common image that represents him, the lingam. This is typically a cylindrical stone several feet tall, with a rounded top, standing in a circular base. On one level, this is the most basic image of divinity, providing a focus for worship with a minimum of artistic embellishment, attempting to represent the infinite. The addition of carved anatomical details on many lingams, however, leaves no doubt for the worshiper that this is an erect male sexual organ, showing the procreative power of God at the origin of all things. The concept of reality as the complex interplay of opposite principles, male and female, thus finds its highest form in the mythology of Shiva and his consort Parvati (also known as Shakti, Kali, or Durga), the daughter of the mountains. This most controlled deity, the meditating Shiva, then has still another form, as the erotic lover of Parvati, embracing her passionately.
Shiva and Parvati have two sons, who have entire cycles of myths and legends and bhakti cults in their own right. One son is called variously Karttikeya (identified with the planet Mars) or Skanda (the god of war or Subrahmanya). He is extremely handsome, carries a spear, and rides a peacock. According to some traditions, he emerged motherless from Shiva when the gods needed a great warrior to conquer an indestructible demon. In southern India, where he is called Murugan, he is a lord of mountain places and a great friend of those who dedicate themselves to him. Some devotees vow to carry on their shoulders specially carved objects of wood for a determined number of weeks, never putting them down during that time. Others may go further, and insert knives or long pins into their bodies for extended periods.
Another son of Shiva and Parvati is Ganesh, or Ganapati, the Lord of the Ganas (the hosts of Shiva), who has a male human's body with four arms and the head of an elephant. One myth claims that he originated directly from Parvati's body and entered into a quarrel with Shiva, who cut off his human head and replaced it later with the head of the first animal he found, which happened to be an elephant. For most worshipers, Ganesh is the first deity invoked during any ceremony because he is the god of wisdom and remover of obstacles. People worship Ganesh when beginning anything, for example, at the start of a trip or the first day of the new school year. He is often pictured next to his mount, the rat, symbol of the ability to get in anywhere. Ganesh is therefore a clever figure, a trickster in many stories, who presents a benevolent and friendly image to those worshipers who placate him. His image is perhaps the most widespread and public in India, visible in streets and transportation terminals everywhere. The antics of Ganesh and Karttikeya and the interactions of Shiva and Parvati have generated a series of entertaining myths of Shiva as a henpecked husband, who would prefer to keep meditating but instead is drawn into family problems, providing a series of morality tales in households throughout India.
India - The Worship of Personal Gods
Hindu Gods - For the majority of Hindus, the most important religious path is bhakti (devotion) to personal gods. There are a wide variety of gods to choose from, and although sectarian adherence to particular deities is often strong, there is a widespread acceptance of choice in the desired god (ishta devata ) as the most appropriate focus for any particular person. Most devotees are therefore polytheists, worshiping all or part of the vast pantheon of deities, some of whom have come down from Vedic times. In practice, a worshiper tends to concentrate prayers on one deity or on a small group of Hindu Gods with whom there is a close personal relationship.
Puja (worship) of the Hindu gods consists of a range of ritual offerings and prayers typically performed either daily or on special days before an image of the deity, which may be in the form of a person or a symbol of the sacred presence. In its more developed forms, puja consists of a series of ritual stages beginning with personal purification and invocation of the god, followed by offerings of flowers, food, or other objects such as clothing, accompanied by fervent prayers. Some dedicated worshipers perform these ceremonies daily at their home shrines; others travel to one or more temples to perform puja , alone or with the aid of temple priests who receive offerings and present these offerings to the gods. The gifts given to the gods become sacred through contact with their images or with their shrines, and may be received and used by worshipers as the grace (prasada ) of the divine. Sacred ash or saffron powder, for example, is often distributed after puja and smeared on the foreheads of devotees. In the absence of any of these ritual objects, however, puja may take the form of a simple prayer sent toward the image of the divine, and it is common to see people stop for a moment before roadside shrines to fold their hands and offer short invocations to the gods.
Since at least the seventh century A.D., the devotional path has spread from the south throughout India through the literary and musical activities of saints who have been some of the most important representatives of regional languages and traditions. The hymns of these saints and their successors, mostly in vernacular forms, are memorized and performed at all levels of society. Every state in India has its own bhakti tradition and poets who are studied and revered. In Tamil Nadu, groups called Nayanmars (devotees of Shiva) and Alvars (devotees of Vishnu) were composing beautiful poetry in the Tamil language as early as the sixth century. In Bengal one of the greatest poets was Chaitanya (1485-1536), who spent much of his life in a state of mystical ecstasy. One of the greatest North Indian saints was Kabir (ca. 1440-1518), a common leatherworker who stressed faith in God without devotion to images, rituals, or scriptures. Among female poets, Princess Mirabai (ca. 1498-1546) from Rajasthan stands out as one whose love for Krishna was so intense that she suffered persecution for her public singing and dancing for the lord.
A recurring motif that emerges from the poetry and the hagiographies of these saints is the equality of all men and women before Hindu Gods and the ability of people from all castes and occupations to find their way to union with God if they have enough faith and devotion. In this sense, the bhakti tradition serves as one of the equalizing forces in Indian society and culture.
Hindu God Ram . Lord Ram, is the most famous incarnation of Vishnu. He is righteousness personified and is also called as Maryada Purusottama. He was a son unequalled in the world, and resembled his father Dasaratha in the possession of good qualities. He never spoke an untruth, He respected the learned and the elderly; people adored Him, and He loved them. His transcendental body was free from disease and the influence of old age. He was eloquent, beautiful, and adaptable to circumstances. He knew the heart of every man on earth [being omniscient], and He alone was aloof from the world of matter. He alone was possessed of all conceivable qualities who was the king's son, and was as dear to the people as their own hearts." "He was loved by His father's subjects, and ever increased His sire's delight. Lord Ram was endowed with dazzling transcendental qualities, and He was haloed as if by the rays of the sun. The earth personified adored Him who was possessed of such virtues, who was unconquerable, who was courageous, and who was the unequalled Lord of all."
Puja (worship) of the Hindu gods consists of a range of ritual offerings and prayers typically performed either daily or on special days before an image of the deity, which may be in the form of a person or a symbol of the sacred presence. In its more developed forms, puja consists of a series of ritual stages beginning with personal purification and invocation of the god, followed by offerings of flowers, food, or other objects such as clothing, accompanied by fervent prayers. Some dedicated worshipers perform these ceremonies daily at their home shrines; others travel to one or more temples to perform puja , alone or with the aid of temple priests who receive offerings and present these offerings to the gods. The gifts given to the gods become sacred through contact with their images or with their shrines, and may be received and used by worshipers as the grace (prasada ) of the divine. Sacred ash or saffron powder, for example, is often distributed after puja and smeared on the foreheads of devotees. In the absence of any of these ritual objects, however, puja may take the form of a simple prayer sent toward the image of the divine, and it is common to see people stop for a moment before roadside shrines to fold their hands and offer short invocations to the gods.
Since at least the seventh century A.D., the devotional path has spread from the south throughout India through the literary and musical activities of saints who have been some of the most important representatives of regional languages and traditions. The hymns of these saints and their successors, mostly in vernacular forms, are memorized and performed at all levels of society. Every state in India has its own bhakti tradition and poets who are studied and revered. In Tamil Nadu, groups called Nayanmars (devotees of Shiva) and Alvars (devotees of Vishnu) were composing beautiful poetry in the Tamil language as early as the sixth century. In Bengal one of the greatest poets was Chaitanya (1485-1536), who spent much of his life in a state of mystical ecstasy. One of the greatest North Indian saints was Kabir (ca. 1440-1518), a common leatherworker who stressed faith in God without devotion to images, rituals, or scriptures. Among female poets, Princess Mirabai (ca. 1498-1546) from Rajasthan stands out as one whose love for Krishna was so intense that she suffered persecution for her public singing and dancing for the lord.
A recurring motif that emerges from the poetry and the hagiographies of these saints is the equality of all men and women before Hindu Gods and the ability of people from all castes and occupations to find their way to union with God if they have enough faith and devotion. In this sense, the bhakti tradition serves as one of the equalizing forces in Indian society and culture.
Hindu God Ram . Lord Ram, is the most famous incarnation of Vishnu. He is righteousness personified and is also called as Maryada Purusottama. He was a son unequalled in the world, and resembled his father Dasaratha in the possession of good qualities. He never spoke an untruth, He respected the learned and the elderly; people adored Him, and He loved them. His transcendental body was free from disease and the influence of old age. He was eloquent, beautiful, and adaptable to circumstances. He knew the heart of every man on earth [being omniscient], and He alone was aloof from the world of matter. He alone was possessed of all conceivable qualities who was the king's son, and was as dear to the people as their own hearts." "He was loved by His father's subjects, and ever increased His sire's delight. Lord Ram was endowed with dazzling transcendental qualities, and He was haloed as if by the rays of the sun. The earth personified adored Him who was possessed of such virtues, who was unconquerable, who was courageous, and who was the unequalled Lord of all."
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